Taking almost complete creative control throughout the recording process, the only fingerprint is Keener’s own. It paved the way for me to call the shots and make creative decisions with confidence." On the upcoming album due out in May 2020, she subtly sheds her Americana roots and embraces atmospheric moody indie folk, equally tender and powerful as it unfolds.
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"I was learning from people I really admired, and those early experiences left me with a deeper understanding of how to use the studio as an instrument and breathe life into recordings. On East of the Sun and Breakfast, Keener’s voice was cloaked behind the musical mentors and production team who influenced the rootsy folk sheen. Keener finds her voice on I Do Not Have To Be Good, one that is authentic and true. Her vocals smolder in a delicate spiral, ebbing and flowing in melodies that wash in and out like deep, entrancing waves.
On her upcoming album, I Do Not Have To Be Good, Keener colors her plaintive and introspective lyricism with a frailty that longs for connection and understanding. Her latest album, Breakfast, earned her No Depression’s 2017 Singer/Songwriter Award. This followed with the 2015 EP, East of the Sun, recorded with the regional Ohio band, The Womacks. Through those years she opened for numerous established artists including Jessica Lea Mayfield and Leigh Nash.
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It's been nine years since Keener got her start as a professional musician. By age 12 Keener was writing and performing music professionally, often playing at wineries and bars under her mother’s guidance. Studying seasoned writers and the songs that made up the soundtrack of her family life, she developed a deep reverence for the craft. In this rural area southwest of Cleveland she grew up watching her dad strumming the guitar that would eventually be hers. The vulnerability found in Emily Keener’s music traces back to a distinctly Midwest upbringing, characterized by the canopied forests that surrounded her home.
Mastered by Grammy-winning engineer Dave Collins and featuring guitar contributions from longtime collaborator Chris Connor, the track shines new light on a musician who has spent years, according to No Depression, "laying down an interesting mix of folk, Americana, and '60s-tinged psychedelic rock that floats seamlessly between Bob Dylan and Procol Harum, sometimes within the same song."įor Angela Perley, it's always been about the songs - and with "Here For You," the song lives on. "Here For You" also marks the first taste of a new album that Perley has been creating at home and at Earthwork Recording Studio, the same Ohio destination where 4:30 was tracked. "Here For You" is a classic song for the modern moment - a contemporary version of the timeless sound that's been blasting forth from car dashboards and hi-fi stereos since the early 1970s, an era that Perley, with her platform shoes and breezy folk-rock, easily evokes. A highway anthem for daytime driving, it blends southern slide guitar with midwestern grit, glued together by the singing and sharp insights of an International Songwriting Award-winning frontwoman. Like the rest of Perley's catalog, "Here For You" blurs the lines between genre and geography. Her newly minted single, "Here For You," (out 9/30/21) was written as a timely pick-me-up call it a battlecry from a self-made star who's never been shy about taking the road less traveled. For years, she'd been getting used to rolling with the punches - booking her own shows, growing her own business, and graduating from barroom gigs in the midwest to hard-won opening slots for the likes of Lucinda Williams and Tyler Childers. Perley was still in the early stages of touring behind 4:30 when the Covid-19 pandemic brought her steady schedule of shows to a halt.
She continues the momentum with her newest single, "Here For You." Written and produced by Perley, the single serves as a love song to oneself - a personal, guitar-driven pep talk, delivering during a time of unprecedented challenges. Originally launching her career as the frontwoman of Angela Perley and the Howlin' Moons, Perley has since gone solo, funneling the sonic stomp that ran throughout 2014's Hey Kid and 2016's Homemade Vision into the personal, poignant punch of solo records like 2019's 4:30. It's a sound that's earned the Ohio native a following both at home and abroad, from sold-out crowds in her native Columbus - where songs like "Electric Flame" have become staples of the FM radio - to audiences in Europe, where Perley's debut album, Hey Kid, peaked at Number 6 on the EuroAmericana chart. Angela Perley has spent the past decade onstage and on the road, creating her own cosmic swirl of alt-country, psychedelic rock, and amplified Americana along the way.
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